郭庄 Guo Zhuang

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/ Director

My Story

郭庄

Director’s Profile
Guo Zhuang, pen name: Spectacular World. Graduated from the Chinese Department of Jilin University. More than 10,000 films have been read, and “Movie Notes” must be written in each film, which has been insisted for more than 20 years.
director:
2020 Sci-Fi Short Film: Writer, Director, and Producer of “Mosaic”
2020 Politics and Law Committee’s short film “The End of the Day” is the screenwriter and co-director.
2019 Internet movie: “Advanced Animals” as the screenwriter and co-director.
2020 30-episode TV series: “Legend of Avalokitesvara Avalokitesvara” as director’s assistant and
Screenwriter:
“Our Forty Years” (movie version)-directed by Huo Meng and Li Yixiang, will be screened nationwide in August 2019.
“Aliens in Our Village” (Science Fiction, Comedy)-Shortlisted for FIRST, Pingyao, Golden Rooster and Hundred Flowers Film Festival Venture Capital Conference.
“Bighan” (story),
“Operation Beacon” (war, action comedy),
“By the sea and the wind” (love, inspirational)
“Mecha Conferred God” (sci-fi, comedy),
“The Fake Master” (comedy)
plan:
Theatrical movies “It’s not a joke 3”, “Shadow Seeker” (nominated for FIRST, Hainan Island, Golden Rooster and Hundred Flowers Film Festival), “Flowers and Singing”
Internet movie: “The Greatest Gambling Fairy in the Qing Dynasty”

Director Statement

This is a very metaphorical short film, which metaphorically cannot achieve complete communication between people anyway. Communication barriers have always been a common dilemma for all mankind.
Movies are my greatest passion in this life. I have seen at least 10,000 movies so far, including classic business cards, popular bad movies, and random selections. Every film must be written in “Movie Notes”, and I have been insisting on it for more than 20 years, and I have always hoped to make new attempts on the theme, content, format and even the screening method of the film. The idea of this film comes from a gathering ten years ago, a sudden inspiration. The plain and simple images contain a certain kind of foreboding. The weirdness gradually emerges in the daily greetings, but the thrill in broad daylight is thought-provoking… If the audience cannot understand the film once, it just confirms the theme of the film! This is not sophistry, it is breaking the boundaries between film and performance art.